With the Steps of the Ghostly Matters, 2024, Site-specific installation, tin coated trays, red beans, blankets of recently deceased people, bells and steel
Performance < A Symphony of Ghostly Matters 망령 교향곡>
Performer Kay Yoon 케이 윤
Johannes Farfsing 요하네스 파프싱
Opening 09.29.2024 + 14:00 pm
Metal House Gallery
An Essay for Hungry Ghosts
Performance :A Symphony of Ghostly Matters (2024) , Metal House Gallery, Yangpyeong, South Korea
Second Stop - Polyphonic Representation (Zweite Haltestelle: représentations polyphoniques),
2024, gyoja table, ritual spoon, key lock and key, 90 x 75 x 210 cm
Rusty Sounds in My Belly, Were You My Nightmares?, 2023, Epoxy, Cotton, Rice yeast, Steel, Hinges, Aluminum Cast, Video 5 Min 49 sec, 1080 p, Variable Dimension
Shells of Probabilities, 2023, 60s Stainless Steel bowls, Korean Ritual bowls, Automobile parts
total 13 pieces
total 13 pieces
I Slit the Mammary Gland, and Heard the Echoes of Unknown Land, 2023, 60s Stainless Steel Bowl, Egg, Sesame Oil, Bells, Makkeolli
Detailed view <Shells of Probabilities>
Bone On Bone Echoing, 2024, Egg, Automobile Parts, Bone Conduction Headphones, 220 x 60 cm
Free The Bone From The Flesh, 2023, Stainless Steel, Steel, Grill plates, Motor, PVC, Makkeolli, Akademie der Bildenden Künste München
Grabbed, 2023,Aluminium Cast, Stainless Steel, Variable Dimension
A Smooth Exit, 2022 2022, Steel, Aluminium Casts, Wax, Rolls, Hinges 150 x 375 cm
Self-Portrait, 2022, Bronze Cast, 40 x 55 x 20 cm, Whiskey in glasses
femme 2022 Chairs, 52 x 57 x 210 cm
<ISSUE 1: Liminal Bridges>, 2022, Synchron Magazine