I Eat My Own Tale (When a Dining Table Becomes Theater), 2025, Wood, Metal, Wipaeham, Bell, Belt, Commission Work for Jeonnam Museum

Detail View of <I Eat My Own Tale (When a Dining Table Becomes Theater) (2025)>

나의 뼈는 기둥이 되고 Bones become pillars

살은 벽이 되고 Flesh becomes walls

피는 복도를 가로질러 흐르고 Blood ﬂows like rivers through halls

기억은 방들 속에 갇히고 Memories locked in rooms

시간은 계단을 따라 올라가고 Time climbs up the stairs

Mein Körper ist ein lebendes Museum

나의 몸은 살아있는 박물관이다

My body is a living museum

틱-톡 살과 뼈의 노래 tick-tock
songs of ﬂesh and bone

유령들이 현실을 먹어치운다
ghosts devour reality

tick-tock. voices sing of ﬂesh and bone

유령들이 현실을 먹어치운다 all alone

Die Kraft verwandelt sich in Geisterton

matter's moan

scatters alone

Particles scatter like morning dreams

누군가 언어로 사랑을 그리고 있다 in matter streams

   Die Schatten ﬂüstern von verborgenen Schemes

haunted poems

quantum screams

Der letzte Hauch von Zeit vergeht im Wind

귀신들의 이야기가 끝나간다 as we ﬁnd

소리가 춤추다가 사라진다    left behind

   reality blind

tick...

tock...

tick...

tock...


tick....
tok.....

Tik Tok, 2025, Wipaeham, Metronome

With the Steps of the Ghostly Matters, 2024, Site-specific installation, tin coated trays, red beans, blankets of recently deceased people, bells and steel

Performance < A Symphony of Ghostly Matters 망령 교향곡>

Performer Kay Yoon 케이 윤
Johannes Farfsing 요하네스 파프싱

Opening 09.29.2024 + 14:00 pm
Metal House Gallery

An Essay for Hungry Ghosts

Performance :A Symphony of Ghostly Matters (2024) , Metal House Gallery, Yangpyeong, South Korea

Second Stop - Polyphonic Representation (Zweite Haltestelle: représentations polyphoniques),
2024, gyoja table, ritual spoon, key lock and key, 90 x 75 x 210 cm

Rusty Sounds in My Belly, Were You My Nightmares?, 2023, Epoxy, Cotton, Rice yeast, Steel, Hinges, Aluminum Cast, Video 5 Min 49 sec, 1080 p, Variable Dimension

Shells of Probabilities, 2023, 60s Stainless Steel bowls, Korean Ritual bowls, Automobile parts
total 13 pieces

I Slit the Mammary Gland, and Heard the Echoes of Unknown Land, 2023, 60s Stainless Steel Bowl, Egg, Sesame Oil, Bells, Makkeolli

Detailed view <Shells of Probabilities>

Bone On Bone Echoing, 2024, Egg, Automobile Parts, Bone Conduction Headphones, 220 x 60 cm

Free The Bone From The Flesh, 2023, Stainless Steel, Steel, Grill plates, Motor, PVC, Makkeolli, Akademie der Bildenden Künste München

Grabbed, 2023,Aluminium Cast, Stainless Steel, Variable Dimension

A Smooth Exit, 2022 2022, Steel, Aluminium Casts, Wax, Rolls, Hinges 150 x 375 cm

Self-Portrait, 2022, Bronze Cast, 40 x 55 x 20 cm, Whiskey in glasses

femme 2022 Chairs, 52 x 57 x 210 cm

<ISSUE 1: Liminal Bridges>, 2022, Synchron Magazine

KAY YOON

Contact